a book about glam rock and art pop - 1970s mostly - but also tracking its echoes and reflections through the 80s, 90s and into the 21st Century - footnotes to follow here soon
Away with silks, away with lawn, I’ll have no scenes, or curtains drawn: Give me my mistress, as she is, Dressed in her nak’d simplicities: For as my heart, e’er so mine eye Is won with flesh, not drapery.
McLaren / Westwood, via 17th Century writer Thomas Fuller
"craft" here I guess as in "crafty" - guile, dissimulation
McLaren then fed this Rousseau-ish notion into Bow Wow Wow
A song by Michael Steele - not the former Republican Party chairman turned MSNBC pundit - but the Bangle who had also once been a Runaway (until Kim Fowley made things intolerable for her). In the song, Steele recalls the Los Angeles glitter scene circa 1973 "as a lost, broken world, with only Bowie’s “Hang Onto Yourself” as a souvenir. Vicki does her best Mick Ronson for the break."
So writes famedBowieologistChris O'Learyin a freakily fascinating in-depth essay on the Bangles, for his new-ish venture64 Quartets. During which he establishes convincingly that (hard as it might be to believe) The Bangles were once cool - then proceeds to demonstrate in strangely gripping detail just how totally they became uncool, buckling quick to industry pressures. I still reckon the Paisley Underground is one of the non-events of rock history, but O'Leary held my attention to the end, and this is a lengthy piece of writing.
Now to read his similarly extensive essay on a band I actually care about - Throwing Muses (with side-bars, each essay length in their own right, on Pixies, Breeders, Belly)