a book about glam rock and art pop - 1970s mostly - but also tracking its echoes and reflections through the 80s, 90s and into the 21st Century - footnotes to follow here soon
Wednesday, May 19, 2021
Glitter buries his past
Wednesday, December 16, 2020
discoglam
it's already too long as a book, but S+A could have done with a chapter, or appendix, on disco as adjacent to glam - its cousin in so many ways: artifice, showbiz, razzle, escapism, narcissism, decadence, polysexuality, science fiction, fabulousness, fantasy, camp, proto-retro (covers, period looks, fancy dress)
the future-retro mish-mash a particularly shared attribute
and Chic were actually influenced by Roxy Music - the image and styling more than the music
A bit better - slow'n'lowdown funk - let's say "supernotbad"
Thursday, July 23, 2020
rockclubbing
"The single was... mainly determined by what was left out... “we wanted to make it purely a tune and rhythm with no embellishments like harmonies or chords.” Mike Leander claimed that it was not black music, but in some sense, a rock’n’roll record. The r’n’r is “deep down”, but it seems to me to be mainly there by association, by lyrical suggestion. What there IS is a minimal dance-track, unprecedented except perhaps for James Brown’s spare disco breaks, and vocals that are mixed well back, with a fast, slight echo that makes them disembodied, all attack and no decay, all hard edges and hardly inflected. When the Human League covered it, it could have been a manifesto for vocals-and-synths-only, and the cover could only succeed in so far as it managed not to add anything" - Paul Oldfield, Monitor #4, October 1985
Between Fun House and Funtime - me on The Idiot-era Iggy Pop versus The Stooges
"Bowie damage" and the art-glam / new wave + postpunk nexus
I didn't know the music journalist and author Mark Spitz - who has died tragically young - very well, but I always enjoyed chatting...





