The best T.Rex reinvention I can think of
And the video is so fucking French
Androgyny .... ultra-stylized
Plus a Sparks connection!
a book about glam rock and art pop - 1970s mostly - but also tracking its echoes and reflections through the 80s, 90s and into the 21st Century - footnotes to follow here soon
The best T.Rex reinvention I can think of
And the video is so fucking French
Androgyny .... ultra-stylized
Plus a Sparks connection!
Hard to tell because he's such a bad singer at this point but I think that is his attempt at "fey"
And the lyric appears to be about how much he wants a "glitter doll"
Joey at this point bore the alias "Jeff Starship" and he later recalled that he "used to wear this custom-made black jumpsuit, these like pink, knee-high platform boots- all kinds of rhinestones- lots of dangling belts and gloves".
Mickey Leigh - "Joey started getting into glitter and joined his first band... Sniper and started hitching rides down Queens Boulevard to hang out at this club called the Coventry. I think Joey became the lead singer of Sniper by answering an ad in the Village Voice: "Let's dress up and be stars tomorrow." I thought it was great that Joey was in a band, but it was really dangerous to hitchhike down Queens Boulevard looking the way Joey did. Joey's so unusual to begin with, so tall - he's about six six naturally, but in platform shoes he stood over seven feet tall. And he wore a jumpsuit. At that time, you really couldn't be doing that safely. You were taking a chance hitchhiking down Queens Boulevard like that..... Sniper became regulars at Coventry - playing a couple of times a month - so I wanted to go check them out, see what was going on. When I got there it was a real glitter crowd - everyone was into that band the Harlots of 42nd Street. So I thought it was going to be lame. I was shocked when the band came out. Joey was the lead singer and I couldn't believe how good he was." - (from Please Kill Me)
"For a musician of his acknowledged brilliance, Roy Wood has shown an inordinate interest in paying tribute to the past works of others"
- Greg Shaw, reviewing Wizzard's Introducing Eddie & the Falcons, in Phonograph Record, November 1974
"A craftsman knows what he's going to make and an artist doesn't know what he's going to make, or what the finished product is going to look like"
- Ken Price, ceramics sculptor
“If one assumes -- as I do -- that in the future every home will become like a TV studio in which one is simultaneously writer, director and star of our own show… what is life? What is our existence except our own show? That home movie that we all live inside… it’s already started to some extent. It won’t be like ‘Crossroads’” -- his smooth features produce a startlingly wolfish smile -– “it’ll be more like ‘Eraserhead’."
JG Ballard, interviewed by Charles Shaar Murray, 1983
" Trump is an increasingly symbolic figure — Norma Desmond with the nuclear codes and sycophantic butlers in his ears on a West Wing ...